Silhouette View

Dress silhouettes, drawn line by line

A visual guide to fashion silhouettes: fourteen dress shapes and eight trouser shapes, all on one figure with one pen, so the only thing that changes is the outline. Hover over or tap a drawing to see it backlit, then compare any two below.

Compare two silhouettes

Choose two shapes and they are drawn over each other on the same figure: the first as a solid line, the second dashed. Filter the catalogue below by body shape or occasion, then pick from it.

Garment

A-line

Dress, knee length

Fitted through the bodice, then widening steadily from the waist to the hem, like a capital A.

Often suggested for Pear, Hourglass, Apple, Rectangle

Occasions Work, Everyday, Wedding guest, Warm weather

More on A-line

Sheath

Dress, knee length

Follows the body closely from bust to hips, shaped with darts or seams, usually ending near the knee.

Often suggested for Hourglass, Rectangle

Occasions Work, Wedding guest, Evening

More on Sheath

Catalogue

Body shape
Occasion

Showing all 14 dress silhouettes.

  • A-line

    Fitted through the bodice, then widening steadily from the waist to the hem, like a capital A.

  • Sheath

    Follows the body closely from bust to hips, shaped with darts or seams, usually ending near the knee.

  • Shift

    Hangs straight from the shoulders to the hem with no waist shaping, often short and with a high neckline.

  • Empire

    A seam sits high, just under the bust, and the skirt falls loosely from there.

  • Fit-and-flare

    A fitted bodice to the natural waist, then a full skirt that flares out right from the waist seam.

  • Trumpet

    Fitted through the hips, then flaring gradually from mid-thigh to the floor.

  • Mermaid

    Fitted to the knee or just below, then flaring sharply into a fuller hem.

  • Ball gown

    A fitted bodice with a very full, floor-length skirt that stands away from the body from the waist down.

  • Wrap

    One front panel crosses over the other and ties at the waist, forming a V neckline.

  • Trapeze

    Narrow at the shoulders and widening like a triangle straight from the armholes to the hem, with no waist.

  • Column

    A long, narrow, straight line from bust to floor, with little shaping and no flare.

  • Slip

    A thin-strapped dress, often cut on the bias, that skims the body instead of gripping it.

  • Peplum

    A fitted dress with a short flared tier, the peplum, at the waist over a narrow skirt.

  • Drop waist

    The waist seam sits low, around the hips, with a loose bodice above and a short skirt or pleats below.

Body-shape and occasion tags follow common styling rules of thumb. Anyone can wear any silhouette.

Same woman, four silhouettes

One photo, four dresses in the same cobalt crepe, so the shape is the only difference. Each lightbox shows the silhouette first. Hover over or tap it to switch on the lights.

Sheath cobalt crepe
A-line cobalt crepe
Fit-and-flare cobalt crepe
Trapeze cobalt crepe

AI try-on example. One photo of the same woman, dressed in four dress product photos with FitInView's try-on. Only the silhouette changes.

How to read a silhouette

A silhouette is the outline a garment makes around the body, the shape you would see if the person stood in front of a bright window. Fabric, color and detail come second. Most fashion silhouettes can be described by asking one question: where does the width sit?

At the shoulders

Trapeze and shift dresses hang from the shoulders. Nothing pulls in at the waist, so the shape is set by the shoulder line and the hem.

At the waist

Wrap, fit-and-flare and A-line dresses fit closely at the waist. Whatever happens below, the eye reads a defined middle.

At the hips

Peplums, drop waists and full skirts add or mark width at the hip line, which changes how wide the waist looks by contrast.

At the hem

Trumpet and mermaid gowns stay close until the thigh or knee, then put all the width at the bottom. Wide-leg and flared trousers do the same.

That one question explains most styling advice about the best silhouette for your body: a common rule of thumb is to put width where you would like more and keep the line close where you would like less. It also explains why an A-line and a fitted sheath can be cut from the same fabric and look like two different dresses.

Elsewhere in the exhibition

Questions about silhouettes

What are the main types of dress silhouettes?

The shapes you will meet most often are A-line, sheath, shift, empire, fit-and-flare, wrap and trapeze for everyday dresses, plus trumpet, mermaid, column, slip and ball gown for evening and bridal. Peplum and drop waist are variations defined by a detail at the waist or hip. Every one of them is drawn and compared above.

What is the difference between A-line and fitted?

A fitted (sheath) dress follows the body from bust to hips. An A-line is fitted only to the waist and then widens steadily to the hem, so it skims the hips and thighs. Overlay the two in the comparison above to see exactly where they part.

Which silhouette is the most flattering?

There is no single answer, but A-line and wrap dresses are the shapes most often suggested as a safe start, because they define the waist and skim the rest. Body-shape advice is a rule of thumb: the best way to judge is to see the shape on yourself.

How can I see a silhouette on my own body before buying?

Try it in a fitting room, or use a virtual try-on: upload a photo of yourself and a photo or shop link of the dress, and FitInView shows you wearing it. Your first try-on is included with a free account.